Friday, September 6, 2019

Cocoa Commodity Essay Example for Free

Cocoa Commodity Essay Background Cocoa beans are seeds of the cacao tree, which is a member of the Sterculiaceae family. Contained in a cucumber like fruit; these yellowish, reddish to brownish fruits are divided into five compartments each containing up to 10 seeds (Service). As the fruit begins to ripen, the partitions break down and the seeds are found around the central funicle in a whitish pulp. The cocoa seed (i.e. bean) consists of the seed coat which contains the cocoa kernel. The cocoa kernel is the principal component for the production of cocoa products. There are about 20 known varieties of the Cacao plant, but only two are commonly used in producing cocoa products (Canizaro). The two varieties commonly used are: * High Grade or Criollo Cocoa; which are large, roundish and brown in color. They have a delicately bitter, aromatic flavor and are easily processed. * Common Grade or Forastero Cocoa; which are small, flattened on the side and have a dark reddish-brown to violet color. They have a sharper flavor and account for nearly 90% of the world’s cocoa harvest. The main areas of cultivation of the cacao tree falls within a narrow belt 10 ° north and south of the equator because the trees grow well in humid tropical climates with consistent rainfall and a short dry season (Cadbury). Cocoa trees need an even temperature between 21 to 23 degrees centigrade, with a rainfall of 1,000 to 2,500 mm per year to produce cocoa seeds. The main producers of cocoa are: * West Africa Region—Ghana, Nigeria and Cote D’Ivoire. * South America Region—Brazil and Ecuador. * Asia—Malaysia and Indonesia. Production Process Cocoa trees begin to bear fruit when they are around 3-4 years old. Each tree will yield 20-30 pods per year, each pod containing 20-40 seeds which when dried are the cocoa beans of commerce. The harvesting of the cocoa pod is very labor intensive; workers cut the high pods from the trees with large knives attached to poles. The pods are then split open by hand and seeds (i.e. beans) are removed ready to undergo a two part curing process. The two part process includes fermentation of the bean and then they go under a drying process. Methods of fermentation can vary from country to country, but usually only two methods are used; the Heap method or the Box Method. Here is a diagram using either method to illustrate: Heap Method The Heap Method is traditionally used on farms in West Africa. Wet cocoa beans, including the pulp, are piled on banana or plantain leaves which have been spread out in a circle on the ground. More leaves are the piled on top to cover the heap and it is left for five to six days, turning the pile to ensure fermentation (Cadbury). During this fermentation process the pulp and astringency of the beans are removed as the sugar in the pulp turns to alcohol, which drains away causing the bean to develop its true chocolate flavor. When fermentation is complete the wet mass of beans is dried usually by being spread out on mats under the sun. Box Method In the West Indies, Latin America and in Malaysia the box method is used on plantations. It involves the use of strong wooden boxes with drainage holes or gaps in the slats in the base of the box. This enables the passage of air and the removal of liquid products of fermentation. This process usually takes six to eight days during which the beans are mixed twice. After fermentation is complete the beans are dried by means of special drying equipment. Quality The quality of cocoa is based by the quality of the raw cocoa. Fully ripened cocoa beans that have properly fermented consist of a brown to dark red color and have a very fragile kernel with a bitter flavor. Including the bean’s appearance and odor the beans must also be undamaged, un-germinated and must include no foreign matter or mold. They also can’t be infested with insects or have suffered wetting damage. Nor can they smell sour, musty or smoky. Poor quality cocoa beans that have not been fermented properly are purple in color (under-fermented) or very dark in color (over-fermented). They also have a solid kernel and a very astringent taste. The quality of cocoa beans is assessed according to the following criteria: * Good Qualities * Fully ripe, correctly fermented * Firm beans of uniform size with a dry weight of no less than 1g. * Loose and undamaged shell * Light to dark reddish-brown color * Readily crumbled, fragile Kernel * Bad Qualities * Unripe and poorly fermented * Moldy * Strong violet color as a result of under-fermentation * Purple color as a result of over-fermentation * Firm Kernel * Insect infested * Germinated * Smoky odor due to excessively long drying Mode of Transport After the cocoa has been harvested and quality has been assessed, the product should be shipped shortly after harvest, as extended storage (past 6 months) may result in losses due to the high relative humidities in the tropics. Cocoa beans should be placed in bags of jute or sisal usually of a (gross) weight of 60 65 kg, rarely of up to 100 kg (Service). Cocoa beans can be transported by ship, truck or railroad. When transported in a container, the cargo needs to be in a ventilated container so it is in compliance with lower limits for the water content of goods, packaging and flooring. The wooden flooring of the containers must be absolutely clean and dry. Water content should be 12%, corresponding to a lumber equilibrium moisture content of 70%, so that the flooring does not constitute an additional source of water vapor to dampen the cocoa cargo and container atmosphere (Service). The cocoa beans may also be covered with paper which readily absorbs any moisture. Also given the high value of cocoa, a two layer anti-condensation film should be used to provide addition protection against dripping sweat. Another option is by transporting on flat racks in ventilated holds. This option is a more cost effective alternative to the costly ventilated containers. Uses of Cocoa Primary Use of Cocoa Secondary Use Possible Substitute When people think of cocoa, the first things that may come to mind is chocolate or in the spirit of colder weather, hot chocolate. Chocolate and confectionary sweets are the most common uses of cocoa, but many do not know that cocoa can be a great source for dietary reasons. The processed chocolate bars will not give the same effect for dietary purposes but it has been proven that the darker the chocolate, the healthier it is. Raw cocoa beans are sometimes eaten for their flavonoids which according to studies conducted by Eric Dung can improve cardio vascular health. North America has undergone many changes in the last decade especially placing an emphasis on healthy living. Cocoa has been proven to help lower cholesterol, reduce blood pressure, and reduce the risk for heart disease according to Suzanne Steinbaum; director of women and heart disease at Lenox Hill Hospital. Cocoa also reduces cravings for those attempting to diet and want to reduce the amount of food one may be eating. The smell of cocoa is so rich and aromatic that it actually helps satisfy hunger cravings. Cocoa can help repair skin as well according to dermatologist Ava Shamban, MD. Cocoa is loaded with antioxidants that help repair skin cells and neutralize harmful radicals. Cocoa has also made its way into pharmaceuticals. The oils extracted from cocoa beans become a solid at room temperature but melts within the body so this oil has been used to encapsulate certain drugs. Cosmetics have also found the wonders of cocoa. There exists within cocoa a natural compound that naturally prevents anything it is used with from becoming rancid. Makeup and soaps use cocoa in their products to keep the product from spoiling and can last for years. Demand The demand for cocoa has increased from new markets for cocoa products and increased sales in existing markets. The reduction of tariffs to places like Korea and Peru make it easier to compete in the market to hold and increase market share. Other influencing factors include the climate to grow cocoa, resources, technology and sustainable practices in parts of the world with little to no education. There has been a lot of attention given to child labor practices and the need to improve the process and quality of life of cocoa farmers. As sales have increased over the years, cocoa yields are not growing fast enough has motivated big chocolate manufactures to protect their interests and invest in the future of cocoa. Chocolate sales reached over $100 billion in 2011. While sales have been increasing the disparity between cocoa yields and the world’s need for cocoa will only be exacerbated if nothing is done. Farmers face various challenges in growing this crop that directly impa ct their ability to meet demand. The World Cocoa Foundation states that farmers are dealing with aging trees that aren’t producing as much as well as a loss of 30 to 40 percent of their crop due to infestation and disease. These aren’t big industrialized farms that one can see in America; almost 90 percent of cocoa comes from small farms in Africa, Asia and the Americas. For these farmers to help reach the demand for manufacturers active involvement from these companies is needed to ensure sustainability. According to the Fair Trade Foundation the demand for cocoa has been rising approximately 3 percent a year for the last 100 years (3). Production for the 2011/2012 grow season was 3,987 million tons (World Cocoa, 2). By 2020 there will be an estimated 1.5 million ton shortage of cocoa (Bloudoff-Indelicato, Climate Wire, 1). One of the reasons for the increase in demand can be attributed to the rising wealth in China. According to Agrimoney.com there has been a â€Å"growing shift towards Western-style diets and cocoa powder-based products such as ice creams, biscuits and other confectionary†. As the country’s lifestyle and culture changes with the increase in disposable income, the middle class are developing a taste for chocolate. China’s chocolate sales are expected to grow 19 percent to $1.2 billion this year (CNNFreedom Project). China isn’t the only Asian country hungry for chocolate. Falling just below China is Indonesia with a 25 percent increase to $1.1 billion and India will most likely see a 7 percent increase as well. If Asian markets keep growing as predicted they could very well have 20 percent of the global market by 2016 (CNN Freedom Project). Changes in export costs also make it more profitable and easier to ship cocoa products to various countries. President Obama’s National Export initiative plans to double U.S. exports within 5 years. To help achieve this goal the negotiation of free trade agreements aid American companies to meet the growing demand for cocoa products. Korea is the third largest exporter for U.S. candies with U.S. brands accounting for 16 percent of the chocolate sector. However American companies are at a disadvantage due to the FTA agreement that was signed to incrementally reduce tariffs and are still paying between 5 to 8 percent tariffs. Some other global competitors seemed to have negotiated better free trade agreements and have seen a decrease on tariffs into Korea. Currently the U.S. companies have paid duties in excess of $18 million since the agreement was signed in 2008 (National Confectioners Association, 2). This will make it difficult for American companies to compete with global competitors because their costs of getting their product to market are greater. However, with the free trade agreements signed with various other countries will enhance exports into Korea to meet the increasing demand of chocolate. In 2011, imports of chocolate and other candies were up 30 percent from 2010 totaling $339 million (Korea Product Brief). The dramatic increase in imports is promising for chocolate manufacturers to try and increase their customer base in a rapidly expanding market. Starting October 31, 2012, Panama is eliminating tariffs on more than 86 percent of U.S. consumer and industrial goods (Poe). This includes chocolates and cocoa inputs which will help American companies continue to hang onto their 42 percent ($27 million) market share for candy, gum and chocolate exports. Panama’s growing economy is expected to keep growing 5 to 8 percent each year through 2017 in conjunction with the implementation of the free trade agreement Panama could become an important importer of cocoa products for American companies. Changes in cocoa production While fair trade and organic cocoa represent a small portion of the cocoa market at 0.5 percent there has been some growth in these sectors. Fair trade cocoa is cocoa from farmers that are compensated a fair amount for their product according to faritadeusa.org they also teach farmers sustainable processes and assist in quality of life improvement. Global sales have seen an uptick in fair trade cocoa from 14,000 tons in 2009 to 35,000 in 2010. This increase is attributed to the growth in the United Kingdom. The United States has also shown an increase of fair trade cocoa imports by 67 percent from 2009 to 2010 (fairtrade cocoa review, 8). With the looming cocoa shortage in the near future, cocoa users are realizing how important it is to be an active partner in sustainable cocoa practices. Manufacturers around the world want to protect their cocoa interests and ensure that there will be enough cocoa to keep up with the rising desire for cocoa products. Various companies have announced their plans and involvement in supporting sustainable cocoa practices as well as providing the farmers the assistance and education needed to ensure a bright cocoa future. According to their company websites the following companies have announced their commitments to provide the cocoa industry a promising future in the years to come. * Mars – 14.6% global market share in 2010 * 2020 – all cocoa will come from certified cocoa * 2011- purchased 10% of cocoa used from certified sources * Nestle – 12.6% global market share in 2010 * Invest 110 million in sustainability, farmer training, social conditions, plant expertise * Commitment to purchase sustainable products * Kraft – 8.3% of global market share in 2010 * 5 year partnership with Bill and Melinda Gates Foundation to improve cocoa production and supply chain efficiency in West Africa * 2011 largest buyer of cocoa beans from certified Fairtrade farms and Rainforest Alliance Certified Farms * Ferrero – 7.3% of global market share in 2010 * In 2011 pledged to use only sustainable cocoa by 2020 * Hershey – 6.7% of global market share in 2010 * Over the next 5 years will invest $10 million in West Africa to improve farming processes and communities * In 2012 U.S. consumers will be able to purchase Bliss products that are produced with 100 percent certified cocoa Implications of shortage Cocoa shortages would have a huge impact globally. It will affect every member in the cocoa supply chain. Farmers will produce less and receive even less money to be able to live off of. The farmers will have even less to invest into their trees continuing to increase the deficit in cocoa production versus demand. The incentive to continue cocoa farming would decrease and may drive farmers to cities to seek other employment or pursue more lucrative farming opportunities. In an effort to combat the drug war in Columbia, farmers were enticed with trading coca (cocaine plant) growing for cocoa partly due to the high prices cocoa was selling for in the late 2000s (cocoa was selling for $3,520/ton in 2010 according to indxmundi.com). It is hard to convert coca farmers to start producing cocoa if the opportunity cost of growing cocoa is less than the opportunity cost of not growing cocaine plants. Not only does a cocoa shortage have a direct impact on the farmer’s lives, but also on their community because the monies from coca plants helps guerilla groups that the government has been fighting for years ( Weissmann). Companies that are dependent on cocoa for their income will face challenges in trying to make quality products that consumers have come to expect at a certain price. Some of the increase in purchasing costs will most likely trickle down to the consumer in order to protect the companies’ profit margin. Also companies may look elsewhere to save money, which can result in less cocoa production jobs. There are close to 50 million people that depend on cocoa for their source of income if nothing is done to help increase cocoa production it will take its toll on many people’s lives and their countries’ financial stability (Fairtrade and cocoa, 2). Supply The world of cocoa beans is centralized in none other than West Africa. In fact the top 5 cocoa bean producing countries are all located in West Africa; countries being The Ivory Coast (Cote d Ivoire), Indonesia, Ghana, Nigeria, and Cameroon in that particular order. The Ivory Coast has been the dominant producer of cocoa beans with production totaling nearly 1,242,300 metric tons of cocoa beans. This equates to about 29.3% of the world’s total cocoa beans. Indonesia is nowhere near the Ivory Coast in production, only totaling about 810,100 metric tons of cocoa beans a year accounting for about 19.1%. Ghana is close behind, producing about 632,037 metric tons of cocoa beans accounting for 14.9% of the world’s total. Nigeria follows with 427,800 metric tons accounting for 10.1%. Cameroon rounds out the top 5 accounting for 6.2% of the world cocoa bean total producing about 264,077 metric tons a year. All these countries producing cocoa beans have experienced increases in production with the exception of Ghana who faced a decline in productivity from the year before. Those countries in West Africa account for nearly two-thirds of the world are the leading producers in terms of metric tons distributed to other companies for processing. With nearly two-thirds of the world’s cocoa producers in West Africa, they are close to monopolizing the cocoa industry. Processors of cocoa beans can find the best producers of cocoa beans in one area and these producers are more than willing to supply at the right price. Over forty percent of the world’s cocoa is consumed in Europe and the remaining percent is distributed across the world globally. Cocoa is the main ingredient in what is universally known as the world’s most popular sweet, chocolate. There are about five-six million cocoa farmers worldwide, many in West Africa. 40-50 million people depend on cocoa for their livelihoods as people especially in West Africa depend on the jobs that cocoa farms provide for the people who live in the area. The economics behind cocoa production is th e livelihood for millions of West Africans. If the cocoa tree is taken away then the locals in West Africa may resort to the coca plant which is a base root for cocaine production. This may also lead into more complications resulting in food riots from people not being able to feed themselves, and drug trafficking which can also have implications for human trafficking as well. There are certain conditions that may hinder or halt cocoa bean production. Like many commodities, cocoa is considered a soft commodity; we can only continue to produce if we are careful with our product. Overharvesting is a major issue in the world of cocoa beans. In the early days of cocoa production, less cocoa beans were used to create milk and white chocolate was highly desired in the less conscientious health world of the mid to late 1900’s. In recent years there has been a major switch in preferences by consumers becoming more health conscientious. Most particularly in the Europe and North American markets has the demand for darker, healthier chocolate become more apparent. Due to these changes there has been an unprecedented cocoa consumption as more cocoa beans are being u sed to create dark chocolate in the last 5 years or so. In a study done by the Scientific American news article, a study revealed that further climate changes can cause West Africa to become too hot to grow cocoa beans. If this were to occur, domestic and international economies would be impacted immensely. The cocoa production farms have attributed to lowering the spikes in poverty, drug trafficking, and food riots by providing many with a legitimate means of making money and providing for themselves and their families. It has been projected that by 2060 over half the cocoa producing countries will become too hot. The cocoa industry is valued around $5.1 billion and with West Africa housing the top 5 producers. This includes the top two producers in the Ivory Coast, and Indonesia which account for more than half of the three million tons sold annually according to the World Cocoa Foundation. In 2020, predictions indicate a 1.5 million ton shortage. Weather predictions believe that El Nino could cause more problems for producers, consumers, and those who rely on the cocoa farms. As cocoa shortages increase, there are bound to be increases in demand for cocoa as more and more markets continue to buy into the commodity. In recent years, Europe and North America have been the largest buyers of cocoa. New countries however, are beginning to see the potential in cocoa and have begun to make their moves and are buying into a commodity that maybe wasn’t as sought after before. China and South Korea are buying into the commodity, which will make it harder for buyers to contract the amount desired if shortages continue and weather proves to be the deciding factor impacting West Africa. The hope now is that scientists can come up with a drought resistant strain of cocoa bean able to withstand the heat; however farmers are taking it upon themselves to develop farming techniques to help the cocoa beans survive harsher conditions. Re-creating optimal conditions is such as temperature is easy, however re-creating the taste is nearly impossible. Change the landscape, or geographical location of where the cocoa beans are harvest, and the taste changes considerably. The need to keep cocoa producers in West Africa has become an important issue for many of West Africa’s population who depend on cocoa production for their livelihoods. West Africa currently holds the best location for cocoa production in terms of elevation, climate, and temperatures that give the cocoa beans its distinct look, taste, and aroma that attracts so many. Moving the production to another country such as Asia or Russia, who generally have cooler temperatures can impact the taste and quality of the overall product. West Africa’s location is great because it is near the equator which keeps the temperatures and weather conditions relatively warm. Conditions like these are difficult to find, if not impossible to find anywhere else. Also child labor has been a constant issue in West Africa. This is especially true in regards to the production of cocoa. This issue has been predominantly an issue in the Ivory Coast, who is the leading supplier of cocoa to many different companies in Europe, and North America. With cocoa prices remaining relatively low, the need to lower labor costs becomes a necessity as production struggles to survive; thus children are employed to work the crops for cheap. According to the International Cocoa Organization, it has been estimated that more than 109,000 children work in the Ivory Coast’s cocoa industry and are working under the worst conditions. Not only are the conditions terrible by traditional standards but many as 10,000 of these kids are victims of human trafficking or enslavement. In 2010, a 10 million dollar program was given to the world’s top cocoa growing region in the Ivory Coast and Ghana who share a common cash crop. This program intended to prevent and stop the use of child labor on cocoa farms but faces many difficulties in its pursuit to end child labor in West Africa. By giving these companies the money to boost their revenue they can afford to not have child labor as a way to mitigate costs. Children are put to work carrying heavy loads, spraying toxic chemicals, and in danger of severely hurting themselves in the process of producing and harvesting crops. In a recent report in 2011 by BBC News, there was little change to the situation with child labor on the Ivory Coast. Companies who buy from the Ivory Coast and any production plant in West Africa are being asked to take more responsibility and getting more involved with the production from which they are buying from. Simply paying for cocoa beans is not enough. The emphasis here is corporate social responsibility. West Africa is undoubtedly in need of development and European and North America companies are the best possible source for development in West Africa. Roads, schools, hospitals, and social areas for the youth to gather would significantly help the people of West Africa. Companies such as Kraft foods, Mars Inc., Nestle, Ferrero Group, and Hershey Foods Corp are all major players in the cocoa industry who buy and process the cocoa beans into chocolate. The main distribution channel for the cocoa industry is the retail channel. Cocoa beans are harvested and sold by the metric tons to companies such as Kraft, Nestle, Ferrero, and Hershey’s. These companies then process the beans and manufacture the final chocolate product in their factories which are then distributed to retail stores across the country. A primary value driver for chocolates and other confectionary sweets is taste. Despite the recent recession, the cocoa and chocolate industry continued to grow and expand. People love chocolate and demand for chocolate has continued to grow. This demand and love for chocolate is beginning to make its way into highly populated areas such as China and India where the middle class is large, strong, and growing. Chocolate has been considered an affordable luxury. Despite rising health concerns chocolate is still in high demand, more specifically dark chocolate. The producers of cocoa beans like the Ivory Coast produce a commodity that is in high demand due to its versatility. Chocolate has many uses including, foods like desserts, sweets, and candy, medicine, and cosmetics. Dark chocolate has been proved to be part of a healthy diet. It is known to lower blood pressure and cholesterol, and has eight times the antioxidants of strawberries. In the chocolate and confectionary sweets industry, there are many long standing traditions that make chocolate such a strong industry. For decades, chocolates have been a staple of gift giving, like flower shops who focus on the sale of flowers, themed chocolates and delivery. Companies such as Costco, who sell in bulk, sell assortments of chocolate and charge by the pound. Premium or high end chocolate has been increasing in sales since the economy has been making strikes in recovery from the recession. On site baking has become more popular now as the smell of chocolate acts as free advertising. The chocolate and cocoa industry has remained strong and resilient from effects of the economy and the recent recession. Cur rently West Africa is producing cocoa under unstable political conditions. The turmoil and civil war on the Ivory Coast has left the country divided and suffering. Despite accusations that the Ivory Coast production of cocoa beans has been providing weapons and funding for both sides of the civil war, the production has been a ray of hope for the country. Due to the jobs provided for the people living in West Africa, crime rates and drug trafficking has declined, allowing people to work for a living that provides them the opportunity to live a life free of drugs and violence that has torn the land apart. The turmoil from the civil war on the Ivory Coast has caused prices to rise. Despite the rise in prices, companies continue to buy but at some point in the rise in prices, companies will pass. In January the price for a ton of cocoa was a little over $2,300. In September prices peaked at the highest it has ever been this year at just over $2,600. The price fell just slight at $2,463.54 a ton in October. With the turmoil in West Africa causing unstable political governments and civil war tearing the country apart, prices are expected to rise. This data was courtesy from the international cocoa organization. Strategy to reduce cost and/or assure supply With any commodity in the 21st century, constant usage and harvesting are issues that if not monitored can lead to shortages in supply, or possibly depletion of the commodity. There are bound to be problems somewhere along the timeline that can affect the condition of the commodity. Cocoa is no different in that there is constant threat of the commodity becoming scarce globally. Regardless of the recent recession and the recovering economy, cocoa is one of the few commodities around that wasn’t affected to a great extent as other commodities. To begin the 2012 year cocoa per ton cost buyers a little over $2,300. From January through August, the price of cocoa faced many ups and down but never going any lower than the price point in January. In September the price peaked at its highest price point for U.S. companies’ purchasing cocoa beans per ton at over $2,600. Since then it has dropped slightly but is expected to rise according to the International Cocoa Organization (ICCO). Here is a graph illustrating the price changes for the year (Data courtesy of International Cocoa Organization). According to the scientific American news, the cocoa industry is already reporting a 1.5 million ton shortage within the next 10 years or so. What could this potentially do to the price of cocoa in the coming months? Years? If shortages continue to increase than prices can only go up with each coming month. Now while the supply of cocoa decreases, global demand has been projected to rise for a commodity that is becoming more valuable and scarce by the order. The cocoa industry has a strong position in the market as a commodity that is versatile in its uses. The cocoa industry deals with futures contracts which basically means that the buyer agrees to pay for the shipment based on the price of the product the day the contract was made official. Commodity pricing constantly fluxuates monthly, therefore a futures contract protects both parties from any undue damage from prices increasing or decreasing. Reports from several sources including the Huffington Post, and commodity help HQ, have high hopes for the future of cocoa in terms of it being able to sustain itself. Numbers at this time last year are up and there isn’t a reason to really worry about the state of the cocoa industry. Placing an order for cocoa is very similar to writing a math equation. A simple cocoa contract consists of many key specifications. Each contract must state the ticker symbol, contract size or how much cocoa is being ordered; usually in metric tons, deliverable grades which depends on the growth of the country or climate and is divided into three grades. Countries such as the ones in West Africa; Ghana, Nigeria, Ivory Coast, and Sierra Leone are the main crops and receive a grade A classification. Classifications of B or C are smaller and cheaper, such as Venezuela, Malaysia and Haiti. Next the trader or buyer must specific contract months, which are specified by letter coding for each month; for example May is coded K. Next the trading hours must be specified, last trading day, last delivery day, price quotes, tick size which indicates what the size of the order is, and daily price limits. An example formula can read â€Å"CC8K @ 1363†. The CC is the ticker symbol, the 8 indicates the year (2008), K tells us the month which is May, and the numbe r indicates the dollar amount per metric ton. Say the order size was 10 metric tons, the size would be multiplied by the dollar amount per ton. When it comes to possibilities of making cocoa in house, for many companies it becomes a daunting task and nearly impossible to simulate the conditions that allow cocoa trees to grow optimally. It is nearly impossible to produce the same cocoa beans as the beans grown in West Africa. Near the equator where it’s optimally warm, the conditions are right, the soil is ripe to grow cocoa beans in which give the bean a distinct taste. Moving production anywhere else may change the taste and alter the quality. Temperatures for healthy growth range from 69-90 degrees Fahrenheit. Temperatures lower than 59 can become fatal for the plant. Also adding to the tough conditions is that cocoa trees need no more than 2000 millimeters of annual rainfall. These conditions can leave the tree vulnerable to climate changes. In a study done by the Scientific American news site, scientists are predicting that by 2060 half of the cocoa producing countries may become too hot. The heat is not the only problem in this situation; it’s the pollinators of the trees that become affected as well. Bees and butterflies are common pollinators and cocoa flowers can be pollinated by midges, small flies or by hand. However these climate shifts in temperature could leave the country without bee colonies. In 1983-1984, cocoa production had reached a respectable level of 1.5 million tons. In twenty years this number doubled. The troubling fact to be considered here was that the number hadn’t doubled because of any technological advancement but because more land was acquired. The Ivory Coast is one of the most unstable countries in the world not just politically but economically. Civil war has divided the landscape and because of the lack of growth the country has remained third world. Lack of education, jobs, and healthy outlets have left many West Africans to turn to drug dealing and human trafficking. With the extra land acquired for the cocoa trees, labor was short and there were plenty of children to put to work. The world is looking to put an end to child labor in cocoa producing countries. The cocoa industry has quite the road ahead of them towards recovery as an industry and as a nation for which they work in. Realistically there is no suitable substitute for this commodity. With nearly 70% of the world’s cocoa produced in West Africa, which includes the Ivory Coast, Indonesia, Ghana, Nigeria, and Cameroon. With climate changes making weather conditions too hot, which will indefinitely affect the top three producers of cocoa beans in the Ivory Coast and Indonesia, and Ghana, it will become difficult for countries to get their cocoa. Before when it was just Europe and North America, supplies could take such a hit; but with developing middle class countries like China, and South Korea coming into the mix it will be tougher to acquire what is needed. Shortages lead to price increases, and at some point companies will simply pass on the commodity and move onto other things until prices fall. There are several solutions to the problems environmentally, politically, and agriculturally in West Africa. Corporations who buy cocoa from these countries may need to step in to help the growth of the country by providing access to education, hospitals, all the essentials that help societies grow. Corporations may give money to these countries to help production and attempt to prevent child labor practices but it will never be enough. Political instability , civil war, and child labor are all issues connected to the well being of communities tied to West Africa. Another solution is possibly a pipe dream but a realistic attempt at countering climate changes that could affect the cocoa trees. Scientists are working on creating heat resistant beans to counter the rise in temperatures so that crops can be more resilient and yield more. Moving crops to cooler climates in Russia and Asia have also been considered to balance the additional heat. One other solution is to help the farmers directly. Teach the farmers techniques; show them methods that they can use on their farms. Help provide proper and modern tools and technology to make the entire farming process easier for everyone. It is difficult to say what is right and what is wrong in this instance but something needs to be done if European and American companies wish to satisfy a rising demand with such a versatile commodity. Commodity HQ, a trading a commodity research site predicts that the futures for cocoa is strong and has been soaring compared to last year’s performance. Cocoa is one of the most popular soft commodities in the market. Regardless of the drop in futures and the effects of the most recent recession, cocoa has remained strong and resilient to any effects. By the end of 2011, cocoa futures have experienced a 41% drop. Comparing this year’s numbers to last year there is already a 7.6% increase and this number for this year has continued to soar. When looking at the production of cocoa, the Ivory Coast is the leader as they double the production of their next best competitor in Indonesia. The clientele who buy cocoa from West African countries like the Ivory Coast and Indonesia are modern, well developed countries like the U.S. whereas West Africa is still very much third world. As demand continues to grow as demonstrated with China and South Korea entering the cocoa market along with the U.S. and Europe, this list is only going to grow as the commodity becomes more popular. As weather conditions affect the production of cocoa, civil war on the Ivory Coast, child labor, and over harvesting effect the commodity, shortages will occur. When shortages occur, prices rise exponentially, which leaves one to wonder how far can the price increase before companies around the world decide to call it quits and pull out of the cocoa industry? People love chocolate, and that is not an understatement. Cocoa, cocoa powder, chocolate, and cocoa butter are all variations of the original plant. The future of cocoa looks very bright. The only external factors that may affect the commodity are the political strife’s, climate changes, and practices in production. Works Cited Cadbury. Cocoa and Chocolate. 2012. 26 October 2012 http://www.worldagroforestry.org/treesandmarkets/inaforesta/documents/cocoa%20and%20chocolate/cocoa%20and%20chocolate.pdf. Canizaro, Mark. All About Chocolate. 2002. 26 October 2012 http://www.xocoatl.org/variety.htm. Service, Transport Information. Cocoa Beans. 2012. 26 10 2012 http://www.tis-gdv.de/tis_e/ware/genuss/kakao/kakao.htm.

Thursday, September 5, 2019

The Hurt Locker Analysis Film Studies Essay

The Hurt Locker Analysis Film Studies Essay The Hurt Locker is a movie written by Mark Boal and directed by Kathryn Bigelow. It displays combat at its best in Iraq. The movie reflects on the celebrated life of a soldier and is entitled, war is a drug. The soldier vividly displays war as a drug that needs to be taken by all soldiers at all times of their lives for their survival. The writer depicts this through the display of the paralyzing life of a soldier in war. She emphasizes this through the main character whose daring nature puts him at loggerheads with his colleagues (Eldridge and Sanborn) (Olsen, 2008).This paper analyze critically, the Hurt Locker with a specific focus on conflicts, symbols as well as irony presented in the movie. Various conflicts are displayed in the movie, first, when James is hired to replace the previous team leader, Sergeant Thompson. With his experience in war, he conflicts with the rest of the soldiers owing to his aggressive nature and failure to follow protocol. The soldiers find James ways reckless and disturbing but his spontaneity is seen to assist them soldier on to the end. Further James conflicts with Sanborn while trying to pursue the suspects of a petrol oil tanker that had exploded. Sanborn argues that the work should be left to the three platoons in the area. James however wins him over (Ressner, 2008). Again, an external conflict is encountered while driving back to their camp, the three soldiers, Eldridge, Sanborn and James come into conflict with five mercenaries who engage them in battle but they manage to kill after a long struggle. In another scene, the James teams set out to plant an explosion in a desert and they leave. James returns to the site, where the explosive s are already rigged to detonate, to pick up his gloves, which he had forgotten. Sanborn loudly ponders about killing James by deliberately making the explosion explode on him. Eldridge is does not concur with him and is hence unhappy. The theme most featured in the video is that of soldiers dying for their country in patriotism. This is cleared portrayed in the sacrifices made by leaving their families to fight for their countries. At the end of the movie features James with his little son, he recalls the war and contemplates going back to the battlefield. Later he goes back to the battlefield portraying his addiction to war. Other subthemes include violence and war seen in the encounters of the soldiers dismantling bombs and fighting enemies who attack. The filming of the movie in Iraq explains this theme clearly since it is known as a war country (Nott, 2009). The director of the movie integrates principally very shaky and obscure scenes in the movie to portray the uncertainty that hits the soldiers in addition to the danger they face. Iraqis are seen peeping through cracks of buildings, fences and on balconies; this isolates the American soldiers (James, Sanborn, and Eldridge) as being in a suspicious territory. This indirectly portrays these people watching from afar, as people who could set up an explosion on the US soldiers. The stereotype surrounding the towel headed terrorist is personified within the hurt locker. It is implied in the sniper scene at the UN building and depicted by the group of men and women pushing the cart after learning of the body bomb. This denotes the Iraqi as untrustworthy (Tobias, 2009). The American soldiers tend to sympathize with a 12 year old boy, Beckham who displays a flawed character resembling an American teenager. Despite his character, James sympathizes with him and attempts to befriend him. Beckam symbolizes the American culture. Later on Beckams body is found with a bomb implanted in his chest. This makes James go in pursuit of the assailants who did the deadly act. The scenes of a body bomb discovered put the Iraqi citizens in bad light through stereotypes (Olsen, 2008). This symbolizes the American foreign policy. As James dislodges the bomb in the boys chest this symbolizes Americas efforts to liberate and bring democracy in Iraq, the body bomb being a product of the Iraqis. This also serves the purpose of cleansing the view of American soldiers universally as connecting with the locals to help them. This is depicted clearly by James mistaken identity of the body bomb. The setting greatly influences the featured characters. Arid desert scenes and streets with small tunnel like alleyways with debris allover signify the battlefield. Chaos and disorganization is portrayed by explosions at every instance. The only orderly and peaceful place is the US camp victory .These two conflicting images reflect the US foreign policy of bringing forth order and liberation to the Iraq citizen. Dialogue in the movie depicts stereotypes of various kinds. The US soldiers are seen in engaging in slang talk throughout the radio communications. This portrays the superiority complex of the US soldiers with regard to the foreign policy. This is also a depiction of how the US soldiers carry themselves in the battlefield (Ressner, 2008). Bigelow, constructs the movie without favoring any side, this puts him in a state of political balance rather than politically driven level. This he does by balancing the preconception of the audience about Iraq and loose truth about the same. The use of camera angles and dialogue instigates suspense and represent the stress intensity by highlighting the suspicions and insecurity of the setting. The scene before the colonel Cambridges death where he speaks in a demining tone attempting to dismiss the group of Iraq citizens who leave an explosive device close to him. This scene degrades the intelligence of the Iraqi citizens and instigates in the viewers a terrorist image due to the bombing that results. The figure colonel Cambridges reflects the inability of the US forces to adequately understand the people of Iraq. Cambridge is the most intelligent man within the soldiers and the only US casualty expressing the notion that intelligence does not equal to superiority in a dangerous en vironment (Nott, 2009). Inhumanity of the war is depicted when Reed, a colonel congratulates James for his brevity. This shows the Americas brutality when he further claims that James will not make it after which follows gunshots. This clearly portrays a balance in the political sides of Iraq and America as this shows the brutality of the American side. The presence of British mercenary dressed in hajji clothing depicts the inability of the Americans to know the difference. This shows the Americans as being human in a variety of ways (Tobias, 2009). Irony is clearly displayed by the title of the movie whereby the war is depicted as a drug. This is an ironical of the normal situation where human beings like peaceful engagement with each other. At the end of the movie, James is seen as an addict of war. He misses life in war and finally goes back to war, depicting an irony (Olsen, 2008). In sum, the hurt locker depicts the title war is a drug. This is shown in its main character, James whose addiction to war leads him to going back to war each time. This title is ironical since in normal situations, a human being may never crave for war. Various conflicts are displayed especially concerning James spontaneous behavior. At some instance, Sanborn reflects accidentally killing James. The colleagues also fall into conflict with a group of Arab mercenaries but they emerge victorious after numerous confrontation. The movie is symbolic in most instances, first the setting of the movie is in a desert with scenes depicting disorganization and chaos with a touch of Iraq. The only orderly and organized place is the victory camp of the US reflecting the efforts of the united states of liberating Iraq. Their friendliness to the 12-year-old boy shows the effort of the Americans at interacting with the Iraq to solve their indifference. American soldiers are depicted as having a supe riority complex in their dialogue with each other and in their belittling of the hajji soldiers. There is however a balance of political sides where the director portrays the Americans brutality in addition to showing the ruthlessness of the Iraq people. This way he wins in his depiction of lack of favoritism. In totality this movie portrays the title war is a drug.

Popular Music Styles Influence On Musical Theatre Film Studies Essay

Popular Music Styles Influence On Musical Theatre Film Studies Essay The term Contemporary when applied to Musical Theatre is slightly misleading, seeing as the term can be applied to any art-form, when something new and different, something that pushes the boundaries of whats familiar, becomes the current vogue. The desire to create something new and to explore fresh pastures within a particular art-form is not a recent development, and can often be achieved society. In fact contemporary could cover the last 50 years in musical theatre as defined by its being influenced by popular music styles (and the number of revivals), ranging from Motown, Rock Country (The Wiz, Hair, Tommy) to Pop, Bollywood Jazz (Rent, Aida, Bombay Dreams). The successes of hit movie inspired musical comedies such as The Full Monty, The Producers, Thoroughly Modern Millie and Hairspray, have also seen audiences re-embrace a genre which towards the end of the last century was critically observed as being in decline. Whilst not specifically trending away from the successful, ep ic musical styles of Les Miserables, Miss Saigon and Phantom of the Opera, not the conceptual styles of, for example, Cats or Jerry Springer: The Opera, there was a breath of fresh air with productions such as Jesus Christ Superstar, Evita and Chess, while in the U.S.A, Sondheim continued to meld book, text and song in the various guises of Sweeney Todd, A Funny Thing Happened On The Way To The Forum, Assassins and DickTracy. Lets also not forget that Disney has been successfully transferred to the stage, e.g. The Lion King Beauty and the Beast. There are four main constituents of Musical Theatre, namely, Narrative, Dialogue, Songs Physicality, and in the last decade or so, there have been many examples, where experimentation within each of these four elements has led to unusually themed, bolder and sometimes more extreme storylines. Musically, you will find todays influences stray from accepted standards by making use of a more complex variety of instruments and melodies to back up the actors dialogue. Look to recent successes such as Avenue Q; Billy Elliot; Dirty rotten Scoundrels; Hairspray; The Full Monty; Parade; Spamalot; We Will Rock You and Wicked, to name but a few. However, change has not been restricted to what appears on stage in the performance, but has also occurred pre-production, in the concept, the strategy and planning stages of bringing an idea to fruition. Production teams, involved in major projects, and aiming for a Broadway or West End run, will look for substantial alliances through investment and corporate sponsorship, often requiring thousands and in some cases millions of dollars pounds-worth of funding. High-net worth investors (very often those with a passion for the genre), frequently referred to as business angels, have also been a significant growth factor so far this century. Many seasoned investors look for diversity in their portfolio, and without question there has been new investment in the Arts, with the UKs City investors having invested in a broad range of theatrical productions of which, musical theatre has been one major benefactor. It wasnt too long ago that encouraged y a strong rise in West End audiences, the atrical investment appeared less high risk than ever before. Figures in recent years had shown a rise this century, in attendances of 2-3% whilst box office receipts were up 3-4%. Even now, while its undoubtedly a more difficult time for the Arts, with the recession biting hard everywhere and the entertainment business seen as an easy target for expenditure cuts, it also holds true that good and enriching entertainment is for most people a satisfactory diversion from the problems of everyday life, and maybe for that reason alone it is worth the investment. Of course, its not quite that simple, with U.S. reports of only 20% of the shows produced on Broadway recouping their investment. That actually is no more risky than investing in any innovative start-up company, and there is the upside potential of course, with a very real possibility of absolutely huge rewards. Just consider those shrewd investors who funded such rewarding shows (performance finance wise) as Cats, Les Miserables , Mamma Mia, Avenue Q, We Will Rock You, Thoroughly Modern Millie, Billy Elliot and Wicked. Originally capitalized at $3.5 million, Avenue Q (2003) opened on Broadway to positive critical and audience response, before transferring uptown following a successful run at Off-Broadways Vineyard Theatre. What especially pleased the production team was that despite the time of year, it being the middle of the summer, they were able to introduce something quite unique to a new audience and not only please them but actively build and grow a much larger fan-base than had been thought possible with such an innovative product. Not only that, but the show managed to recoup its outlay within a sensational 10 months according to producer Jeffrey Seller. Inspired by the well-known American TV puppet series of Sesame Street, Avenue Q brought an entirely new concept of acting, dancing and singing through puppet characters, to the modern stage. It has been described as a coming-of-age story, which highlights the issues weve all had to face when entering adulthood. Whereas Sesame Street retains that more simplistic and happy-go-lucky view of a childs world through childlike eyes, Avenue Q characters are young adults, searching for their purpose in life and facing all the anxieties and problems of growing up in a modern society whose values have noticeably changed over the preceding decade. Another crucial factor in this production is the use of puppet characters (worked by humans) interacting alongside human characters as if they were of human-like intelligence. All the characters face real adult-themed problems which most of us will recognize, but probably consider much more relevant to todays stressful lifestyle as opposed to that of ours, 10-20 years ago; they all swear and curse; there is puppet nudity and puppet sex; with sub-plots of racism, pornography and homosexuality noticeable throughout the entire play. Adding to the dissident theme, Avenue Qs musicality is an unexpected mish mash of foot-tapping, bouncy, cheerful songs that have a childlike quality to them, but are in fact, a little near-the-knuckle, quite vulgar, but ever-so-clever comical comment contained within a tuneful setting. Such tongue-in-cheek, but obviously hilarious grown-ups songs like Everyones a little bit racist, The internet is for porn and You can be as loud as the hell you want when youre making love introduce the audience to the wickedly, warped world of Avenue Q. Its hip, current and very, very funny, meshing 70s style pop lyrics to the modern day characterization, and in doing so gives added depth to Qs funnier moment. Take the song The more you ruv someone, which on the face of it sounds more like a Sesame Street style song, but with the penning of more upbeat and modern lyrics by Joe Raposo, fits snugly into the more contemporary style of Q. At the other end of the scale, but of equal importance, is that off the main drag, the tendency has been to produce smaller, less expensive musicals, with fewer cast members or where sometimes the players take on more than one role, keeping costs efficient and all the more likely to produce a small profit, which in some areas of theatre, is a success in itself. Fundamental changes, both artistically and commercially, have occurred in public taste and the arts must adapt to these changes but also follow the money, and by doing so, survive and thrive. Yet despite all the current financial gloom, musical theatre continues to play a major role in the financial economics of theatrical cities, given what theatregoers spend at hotels, restaurants and stores, before even sitting down in their expensive seats to watch the show. It has actually been estimated that musicals may account for as much as 90% of theatre revenues. Although some critics have argued that this has tended to make mainstream Musical Theatre more of a tourist attraction, rather than an outlet for creative talent, another noticeable trend of the past few years has seen past success stories revisited and updated for the modern audience. Trusting to previous success underpinning the market, together with the inherent promise of built-in audiences, there have been several revivals of well-trodden and recognisable fare, such as Grease (last revived in 2007) or other proven material, particularly from successful films, such as Billy Elliot (stage version 2005) or from acknowledged literature such as Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. Wicked the Musical (2003), thought of as the prequel t the Wizard of Oz, is loosely based on Maguires novel (it also references several events form the 1939 film), and tells the story of Elphaba, the Wicked Witch of the West, and her troubled relationship with Glind a, the Good Witch of the North. Their friendship/enmity is brought into focus through their very different persona and opinions (Elphaba, born green and later a political rebel, has to contend with being an outsider in society, while Glinda, being blonde, receives all the accolades and benefits befitting her status) and as a theme, is continued throughout, especially via their competition over the same love-interest, namely Fiyero. The story examines the undercurrent of political intrigue, for example, How did Oz becomes such a confused and degenerate state?, It also examines the main characters reactions to the Wizards corrupt government, before finally highlighting Elphabas very public fall from grace. As previously indicated, many contemporary musicals attempt to tell a story through the musicality, making the song choice and lyrical content, highly important to the plot and to the attention of the audience. Indeed, Wicked uses its musicality as a means to communicate some of the deeper issues it brings up. The opening song, No one mourns the wicked, is absolutely integral to the plot, dramatically celebrating the death of Elphaba, and developing the ongoing theme of the play, that Things are not always what they seem, which the audience recognise and appreciate come the final curtain. It is also here that the story unfolds, flashing back to when Glinda recounts the circumstances of Elphabas birth and their time together at Shiz University. Early on there is a moment when Elphaba appears for the first time, when glinda and her white friends are all together, and Elphaba enters, green-skinned and obviously different. They all stop and stare at her for what seems ages, and suddenly we have that Black person in the South moment. Its a big moment, and although unexpected, it sets the tone of the show with its profound statement of a divisive code where race, colour social standing differences, despite our technical advancements, unfortunately still pervade society. When Elphabas power is pointed out as a potential ticket to see the Wizard himself, she sings The Wizard and I, hinting at her desire to be accepted, and be viewed as girl who wants to be seen for her soul, not for her colour. If the Wizard believes in her, then so must everyone else. Another big number, Something Bad (is happening in Oz) provides a political vehicle hinting at the nature of the Animal oppression, highlighting the interacting between the goat and Elphaba, both of whom are at the fringe of Oz society. The songs continue to relate to the story, and we see the Wizard falsely trying to gain Elphabas friendship with A sentimental man and Wonderful. Elphabas path is a difficult one, undeservedly ostracized by the citizens of Oz through March of the Witch Hunters, she finally gets to reflect on her relationship and mutual love of Glinda with For Good, before the mournful tones of the finale and a return to present day show us that all things are not what they seem. Ultimate ly it comes down to the choices of the two lead characters, but with their destinies fulfilled, also reveals that almost nothing in Oz is what it seems, with those considered to be good, having just possibly wicked tendencies, and perhaps more than a hint of some good in those deemed wicked. Yet another trend has been that of creating a storyline with the bare minimum of a plot, to fit a collection of songs that have already been hits. Following the success of Buddy The Buddy Holly Story, from 1989, there have been several successful Jukebox Musicals, as theyve come to be called, particularly We Will Rock You, which has enjoyed considerable success since it opened in 2002. Somewhat more plot-driven than its predecessors, a science fiction tale part inspired by the film The Matrix and in part a tribute to the band, rock group Queen. It is not in fact a biography of the bands history, but a cleverly conceived story, drawing on the content of some of Queens classic hits to provide the characters and plot to a futuristic landscape that to some degree has been shaped by modern society. The story begins 300 years in the future, with Earth renamed Planet Mall and with global corporations controlling and influencing the thoughts and opinions of the populace. The children and yo uth of this time have no effective minds of their own, for example, wearing the same clothes, listening to the same music and having the same thoughts and feelings. Rock music is unknown, but the hero and main protagonist Galileo, who hears odd words and rhythms in his head, refuses to conform, and sets about trying to change the World and being back real music. Galileo aided by Scaramouch (both are central characters of arguably Queens most successful song, Bohemian Rhapsody) fight against the machine that is conformity. They rally against oppression and along the way meet up with the Bohemians, a group of like-minded young people trying to reintroduce the art of playing musical instruments previously banned by the authorities. In their joint quests, they come up against the Killer Queen (a character derived from yet another great Queen song of the same name), the ruler of the Globalsoft Corporation under whose dominance the planet has been for many years. Both groups of youngsters are eventually able to celebrate the reason rock bands first came together, which was for love apparently, by singing yet another great Queen hit, Crazy Little Thing Called Love. The writers weave many of the bands hit songs into the storyline, and also reference many other popular songs of that time through an ever evolving dialogue. For example, several Beatles, Bowie and Rolling Stones hits have been included at different times, in different productions and in different locations to maintain freshness to each show. Quite a few musicals have also looked to the more epic or extravagant production as seen pree-2000 (for example, the 1980s success of Phantom of the Opera), by introducing stage musical adaptations such as The Lord of the Rings in 2007, billed as the biggest stage production in musical theatre history but despite its grandeur, yet to reap reasonable profits. Another less noticeable trend, particularly on Broadway, has been to present musicals uninterrupted by an intermission, with short running times of less than two hours. Although not strictly Musical Theatre, its interesting to note that another popular trend has been towards TV and Film musicals of a more diverse nature than the offerings of the Hollywood Musicals of the mid-20th century. Since the success of Evita in 1996, this new genre of musical has become an industry standard with further notable contributions such as, Moulin Rouge (2001), Chicago (2002), Phantom of the Opera (2004), Sweeney Todd (2007) and possibly the best of all, Mamma Mia (2008). Made for TV musical shows (particularly in the U.S.) have also proved extremely popular, as noted by recent successful transitions to the small screen for adaptations of South Pacific (2001), and The Music Man (2003) to name but a couple. Some TV shows have even gone so far as to having set episodes produced as a musical, e.g. Ally McBeal and Buffy the Vampire Slayer. There are even musicals being made for the internet now! Its probably fair to say, that the biggest trend of the last ten years, is that our latest generation of youngsters have developed an extreme fascination with Musical theatre. The accessibility of smaller, more provincial stages throughout the UK, the larger number of successful graduates in the general performing arts arena, and certainly for those prepared to work hard enough, the joy of performance, is encouraging a revival of dramatic song and, more interesting perhaps, its being performed with unbelievable quality. Its probably also true that the advent of Lloyd-Webber-driven reality television shows, which have thrown scores of potential Marias and Josephs into our living rooms has meant that people no longer need to remortgage their house, to sample what to some is still a once-a-year special trip to the theatre for their entertainment. There are already websites dedicated to 21st century Musical theatre, and we are only just finishing the first decade. The list of shows is surprisingly long. Despite the end of Cats, a major player in the triumphant story that is Musical theatre, a string of new, successful musicals has emerged, with Avenue Q, Wicked and We Will Rock You, to the forefront of them. They are every bit as popular as Lloyd Webbers classics and show that the future of Musical Theatre is in accomplished hands. All three storylines have veered away from the traditional, pre 21st century conception of family based, popcorn style musicals that everyone can sing along to, but may have no substantial plot. Todays writers look for more absorbing and controversial subject matter, as well as designing new works, will often look to contemporise significant event. Young performers are writing their own musicals, living and breathing the experience. Musical Theatre never went away, maybe just hibernated for a short time at the end of the last century, and is now being taken seriously as never before, becoming increasingly more popular, having thrown off the mantle of uncu ltured chart music as a preferred entertainment, and quite possibly the jewel in the crown of the entertainment industry. Modernist writers and producers have successfully drawn on the history of Musical theatre as a spectacle, and created stunning new attractions for larger contemporary audiences brought up on the traditions of jazz, funk, blues, swing, country and rock, producing such memorable global phenomenons, several as previously mentioned, including Les Miserables, Phantom of the Opera, Rent, The Lion King, Mamma Mia and The Producers. Taking elements of literature, opera, film and theatre and fusing this variety of styles and genres, compliments the current vogue of contemporary audiences wishing to embrace several types of culture. These plays are fine examples of what modern day audiences want to experience, covering the social and economic diversity of everyday life, but mingled with history, politics and war. In summary, contemporary musical theatre this decade is much broader in musical and vocal styles, and overall carries a stronger plot-line. The production can cover any genre from comedy to tragedy, and include real life, modern and often argumentative issues. The harmonies tend to mirror whats current in the musical world but not totally to the avoidance of previous styles. With the new breed of musical actors, emphasis has been placed on development of text and characters with the singing style more about understanding the context rather that the tone. Songs are readily influenced by new vogues, especially rap, fusion and rock, as well as classical. Investment and making a profit are now more essential to the core than ever, and the shows creators will consider whatever ways there are to increase the revenue, from writing songs that can be released as singles or albums, to endorsing the shows credibility by getting celebrities to appear in key roles. Vaudeville and post war Hollywo od styled productions were fine for then, but modern audiences demand something more for their expensively purchased stalls or circle seats.

Wednesday, September 4, 2019

Comparing Joseph Conrads Heart of Darkness and Francis Ford Coppolas

Parallels Between Conrad's Heart of Darkness and Coppola's Apocalypse Now      Ã‚   Apocalypse Now is a very vivid and sometimes disturbing film centered on the Vietnam War. Because it was based on Joseph Conrad's novella Heart of Darkness, it is possible to draw some parallels between the two. Both can be interpreted as metaphors for a journey through the inner self, and each has its own singular message to convey. Apocalypse Now very perspicuously depicts the fact that men have hearts of darkness, and it explores the evils of war. At the same time, however, it seemingly glorifies some aspects. The anti-war sequences were often brutal and portrayed destruction as a result of the human condition. The film Apocalypse Now, directed by Francis Ford Coppola, can be interpreted both as pro-war and anti-war in its intent, although the latter is a more valid interpretation.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Apocalypse Now, graphic and disturbing, vividly depicts the true image of war. Coppola and his cinematographer, Vittorio Storaro, presented a series of visually stunning images throughout the film that made it impossible for the viewer not to contemplate the Vietnam War, its purposes, and its shortcomings. These images also lead the audience to an anti-war sentiment. One of the first images that depicts the anti-war disposition was the series of visuals presented during the film's opening sequence, as Captain Willard, the protagonist, is shown in his hotel room in Saigon. A song titled "The End," by The Who, is played as images of helicopters flying overhead and exploding bombs flash across the screen. Willard is first shown lying on the bed and staring at the ceiling fan, which frequently merges with the helicopter blades. Later he is shown, wea... ...ess, 1981. Conrad, Joseph. Heart of Darkness & The Secret Sharer. New York: Penguin Books, 1978. Fortmeyer, Russell. 'Apocalypse' cast filled with rage http://collegian.ksu.edu/issues/v099B/fa/n022/a-e-apocalypse-fortmeyer.html created 1994 (accessed 23 Jan. 2000). Heart of Darkness. Dir. Nicolas Roeg. Turner Network Television (TNT) Pictures, 1994. Heart of Darkness: Theme/Symbol/Allusion/Foreshadow http://164.116.90.3/public/jarvinen/hod.html (accessed 21 Jan. 2000). Nash, Jay Robert, and Stanley Ralph Ross. "Apocalypse Now" The Motion Picture Guide. Chicago: Cinebooks, 1985. Urch, Martin. Apocalypse Now: A film review by Martin Urch http://us.imdb.com/Reviews/30/3030 created 1994 (accessed 29 Jan. 2000). Virtanen, Panu S. Plot summary of 'Apocalypse Now' http://www.geocities.com/Hollywood/9067/plot.html (accessed 16 Jan. 2000).

Tuesday, September 3, 2019

adoption :: essays research papers

adoption adoption, act by which the legal relation of parent and child is created. Adoption was recognized by Roman law but not by common law. Statutes first introduced adoption into U.S. law in the mid-19th cent., and today it is allowed in all states of the United States and in Great Britain. Adoption is generally a judicial proceeding, requiring a hearing before a judge. Adoption statutes usually provide that the consent of the parents or guardian of the child—and that of the child, if above a certain age—must be obtained. An adopted child generally assumes the rights and duties of a natural legitimate child. Similarly, the rights and duties accompanying natural parenthood generally accompany adoptive parenthood (e.g., the right of custody and the obligation of support). The natural parents have no right to control an adopted child, nor have they any duties toward it, but in some states the child does not lose the right to inherit from them. In many cases children are adopted by relatives. Many states now permit adoption by unmarried adults; some allow adoption by homosexual couples. Most adoptions are of the same race. Transracial adoptions are controversial, pitting issues of culture and heritage against the need of a child for a stable parent-child relationship as early in life as possible, regardless of race. The Multiethnic Placement Act (1994) made it illegal for U.S. states to hold up adoptions solely in order to match racial or ethnic background of the child. In adoption by unrelated adults, the courts have traditionally attempted to ease adjustment to the adoptive family and protect the privacy of the (often unwed) mother by maintaining secrecy regarding the child's birth parents. Since the 1970s, however, a growing number of adopted children have attempted to identify their birth parents, and â€Å"open adoption,† in which adoptive and birth parents maintain a relationship, has become more accepted. Questions of parental rights and where these stand vis-à  -vis the rights and best interests of the child have also been highlighted in cases in which the courts tranferred custody of adopted or fostered children to birth parents who had previously given them up. Many children are adopted through public or private agencies, but a growing number are adopted through private placement, in which the prospective adoptive parents advertise for or are otherwise put into contact with a birth mother, usually with the help of a lawyer who is familiar with the process and the legal requirements of the individual states.

Monday, September 2, 2019

Reserve bank of India Essay

The Reserve Bank of India (RBI) is India’s central banking institution, which controls the monetary policy of the Indian rupee. It was established on 1 April 1935 during the British Raj in accordance with the provisions of the Reserve Bank of India Act, 1934 Main functions Bank of Issue Under Section 22 of the Reserve Bank of India Act, the Bank has the sole right to issue bank notes of all denominations. The distribution of one rupee notes and coins and small coins all over the country is undertaken by the Reserve Bank as agent of the government. The Reserve Bank has a separate Issue Department which is entrusted with the issue of currency notes. The assets and liabilities of the Issue Department are kept separate from those of the Banking Department. Monetary authority The Reserve Bank of India is the main monetary authority of the country and beside that the central bank acts as the bank of the national and state governments. It formulates, implements and monitors the monetary policy as well as it has to ensure an adequate flow of credit to productive sectors. Regulator and supervisor of the financial system The institution is also the regulator and supervisor of the financial system and prescribes broad parameters of banking operations within which the country’s banking and financial system functions. Its objectives are to maintain public confidence in the system, protect depositors’ interest and provide cost-effective banking services to the public. The Banking Ombudsman Scheme has been formulated by the Reserve Bank of India (RBI) for effective addressing of complaints by bank customers. The RBI controls the monetary supply, monitors economic indicators like the gross domestic product and has to decide the design of the rupee banknotes as well as coins. Managerial of exchange control-The central bank manages to reach the goals of the Foreign Exchange Management Act, 1999. Objective: to facilitate external trade and payment and promote orderly development and maintenance of foreign exchange  market in India. Issuer of currency- The bank issues and exchanges or destroys currency notes and coins that are not fit for circulation. The objectives are giving the public adequate supply of currency of good quality and to provide loans to commercial banks to maintain or improve the GDP. The basic objectives of RBI are to issue bank notes, to maintain the currency and credit system of the country to utilize it in its best advantage, and to maintain the reserves. RBI maintains the economic structure of the country so that it can achieve the objective of price stability as well as economic development, because both objectives are diverse in themselves. Banker of Banks- RBI also works as a central bank where commercial banks are account holders and can deposit money.RBI maintains banking accounts of all scheduled banks.[30] Commercial banks create credit. It is the duty of the RBI to control the credit through the CRR, bank rate and open market operations. As banker’s bank, the RBI facilitates the clearing of cheques between the commercial banks and helps inter-bank transfer of funds. It can grant financial accommodation to schedule banks. It acts as the lender of the last resort by providing emergency advances to the banks. It supervises the functioning of the commercial banks and take action against it if need arises. Developmental role- The central bank has to perform a wide range of promotional functions to support national objectives and industries.[8] The RBI faces a lot of inter-sectoral and local inflation-related problems. Some of this problems are results of the dominant part of the public sector. Related functions-The RBI is also a banker to the government and performs merchant banking function for the central and the state governments. It also acts as their banker. The National Housing Bank (NHB) was established in 1988 to promote private real estate acquisition. The institution maintains banking accounts of all scheduled banks, too. RBI on 7 August 2012 said that Indian banking system is resilient enough to face the stress caused by the drought like situation because of poor monsoon this year.

Sunday, September 1, 2019

Experiences that have left us demoralized and demotivated

This famous quote by Corita Kent has become the philosophy of my life. A philosophy that has been imparted in me by years of experience. A look through the events in life reveals that despite the wonderful moments, there are too some worst flashes that are not worthy any memory. Experiences that have left us demoralized and demotivated.These events and experience are the most important in shaping our destinies. The road to success is paved with a rough path and sharp bends. It is in negotiating these sharp coners that we are armed with the necessary skills to overcome future challenges. Life is a learning experience and none of the events in life should be in vain no matter the consequences, each should be a learning opportunity.There is this particular experience that happened some years back in high school that though it left me slightly disturbed, it went a long way in creating an understanding about some of my classmates and also know that not all of us pursue the same goals and when we do, we don’t follow the same pass. Some just want to ride on other people’s back.This experience has helped me understand that we are different, not because of our skin colors or creed, but because of our personalities. It has made me to be wary of some students even here in San Joaquin Delta College.Whereas study group are methods used by instructors to impart leadership and team playing skills in students. Some students unfortunately see it as an opportunity to hide behind numbers and ride on the sweat and hard work of others. I recall one time we had been arbitrary allocated study groups by our grammar teacher. We were supposed to look at the history and the evolution of language. Specifically, we were to focus on English’s language relationship with Latin.Most of us were not familiar with each other and our first meeting was dedicated towards socializing and exchanging contacts. We agreed on our schedule and by plan or default I was selected the grou p leader. I had never before been in any position of leadership even of such a small number. I had not envisaged the sort of challenges that I was to face, but I believed in myself.You see, I have been brought up in a family that believes in hard work and discipline as the key to success in life. Although I was born in Mexico, I have lived in Stockton California all my life and have seen the fruits of my hard work, as I don’t have to work in college to pay for my school fees. I hence have the whole day to dedicate to my studies.In this study group we had been allocated a task that was to be completed within a certain specific however, there were these two male students, Tom and Harris that failed to turn up for any of the study group. Being the group leader, I took up the responsibility of calling them and urged them to turn up or else I would report to our instructor. They did not heed to my warning and I had to inform my teacher. They were struck off the groups list and had to redo the whole unit. They were not happy about these developments and confronted me one day after classes.I am not a coward but I am not brave either, but there was no way I could fail to stand up for what I believed to be right. I told them off and said I would do it again should we ever be in the same group in future.I could tell that they were angry and spoiling for a fight as I could see Harris clutching his belt. I new then that it would get nasty. They were shouting at me and hurling all manner of racist remarks. However I stood my ground and a small crowd began to develop out of curiosity. Seeing that I would not back off, they went away promising to do all manner of nasty things should we ever meet.They did not get to do it as they were transferred from the school later in the week, however this incident has left me cautious of some of my classmates knowing that some of them can be leaches seeking to survive on other peoples sweat and expect to get away with it. This int eraction has gone a head in shaping my study relationships as school and I have to take time in choosing my study partners Â